byronic hero造句

• The narrative draws on various Gothic tale, and the Byronic hero.
• Like any Byronic hero-villain, he headed for the Continent.
• He is modeled on the Byronic hero.
• Scholars have also drawn parallels between the Byronic hero and the solipsist heroes of Russian literature.
• Charles Baudelaire's " po雝e maudit " would emerge from the Byronic hero.
• Ann Radcliffe introduced the brooding figure of the gothic villain which developed into the Byronic hero.
• Later novelist Ann Radcliffe introduced the brooding figure of the Gothic villain which developed into the Byronic hero.
• :I think the word for it ( in at least one form ) is the Byronic hero.
• Yet this is strange as Pechorin's intelligence is very high ( typical of a Byronic hero ).
• The two are in fact diametrical opposites  Heathcliff a moody, vindictive Byronic hero; Lockwood a paragon of affected posh civility.
• A precursor to the contemporary definition of the hotshot is the figure known as the Byronic hero, those being heavily influenced by the Romanticism movement.
• In some sense, the terms can be applied to an " action-byronic hero " with a " loose cannon " or vice-driven nature.
• It is an example of the superfluous man novel, noted for its compelling Byronic hero ( or antihero ) Pechorin and for the beautiful descriptions of the Caucasus.
• As well as literary styles, Clarke pastiches many silver-fork novel, the military adventure, the Byronic hero, and the historical romance of Walter Scott.
• For the first time, though, the " Byronic hero " has been taken out of his picturesque " romantic " environment to be placed in a domestic setting.
• "' The superfluous man "'(, " lishniy chelovek " ) is an 1840s and 1850s Russian literary concept derived from the Byronic hero.
• In creating the character of Ivanov, Chekhov intended to debunk the romantic figure of the superfluous man, the part Hamlet, part Byronic hero much in vogue then in Russian literature.
• A late example of traditional Gothic is " Melmoth the Wanderer " ( 1820 ) by Charles Maturin, which combines themes of anti-Catholicism with an outcast Byronic hero.
• Maxim Maximych serves as the second narrator, relaying to his traveling companion stories of his interactions with Grigory Alexandrovich Pechorin, the main character of the story and the ultimate Byronic hero.
• The same character themes continued to influence Russian literature, particularly after Mikhail Lermontov invigorated the Byronic hero through the character Pechorin in his 1839 novel " A Hero of Our Time ".